ABSTRACT
This article discusses the context of, and presents findings from, a project examining the live music sector in Birmingham, UK. This research is set against the backdrop of the broader socio-political impact of the ongoing COVID-19 pandemic, and links it to national and global contexts. We explore the live music ecology of Birmingham and highlight the interdependencies between the various musical and non-musical stakeholders in the context of the pandemic— including the venues where live music takes place—examining how these stakeholders are responding to the crisis as it unfolds. In doing so, this article asks how an urban geographical area tied into national and international mechanisms of culture, commerce and policy can work to sustain its musical ecology in the face of the uncertainty of a post-COVID-19 era, and underlines the interconnectedness of live music ecologies and wider economies. © Equinox Publishing Ltd 2022, Office 415, The Workstation, 15 Paternoster Row, Sheffield S1 2BX
ABSTRACT
The collective editorial discusses inequalities that scholars in Europe and the Americas world have paid attention to during 2020 when the Covid-19 pandemic has unevenly and unpredictably impacted on societies. The critical reflections reveal that the continuing ramifications of the pandemic can only be understood in place;like other large-scale phenomena, this exceptional global crisis concretizes very differently in distinct national, regional and local contexts. The pandemic intertwines with ongoing challenges in societies, for example those related to poverty, armed conflicts, migration, racism, natural hazards, corruption and precarious labor. Through collective contextual understanding, the editorial invites further attention to the unequal geographies made visible and intensified by the current pandemic. © 2020 by the author.